Chemistry and Anatomy Essay Example for Free

Chemistry and Anatomy Essay My life began as a simple and talented student in Geneva. My father was Alphonse Frankenstein, who was a wealthy, rich and benevolent man. I was the first son of my father, Alphonse Frankenstein. My mother Caroline visited a beautiful orphan girl, Elizabeth Lavenza, fair-haired girl. She was adopted by my family and was my cousin. I had two brothers who were very lovely and they loved me and Elizabeth a lot. My best friend was Henry Clerval, who was a considerate man. I became a student of Chemistry and Anatomy in the quest to determine what gives life. I was a young man who led a happy and peaceful life, but the events happened after, made a great change to my living. The world according to me was a secret of research, creation and experimenting. I learnt the theories of electricity and galvanization. I also initiated a theory of how to create human life using the principles of electricity. I became devoted to the human creation and the spark of life that I had abandoned earlier. I asked my University for specimens to make my creation. I figured out what gives life.  Ã¢â‚¬Å"I have begged my University for specimens. They say I’ve had all their best material for years, and produced nothing to show for it.† I feel that I have begged my University for some specimens to make my creation, but they refused to afford me the specimens because they say that they have given all the best pieces of specimens to me for creating nothing. Finally, I got the body parts from the graveyard. Then I went out without my meals to buy some chemicals. I took the body parts from the corpses. I stored my chemicals and specimens in the dissecting room so that it would be safe. I constructed a giant man, 8 feet tall, with super human strength and endurance from harvested body parts that I took from the corpses. I worked secretly without rest for almost a year. I can tell you that I was a bit disappointed with my creation. My perfect creation was a frightening disaster. My creation was a result of horror.  Ã¢â‚¬Å"No, this isn’t what I wanted. Oh, dear god, what have I done?†Ã‚  I was not at all happy with my monstrous creation. So, I rejected, abandoned and left him away. I was also scared, frightened and afraid of him. I also avoided my scientific studies because it remained me about the disastrous experiment. I wanted him to help and like mankind. This was not what I expected. I wanted my creation to be helpful rather than being a nuisance. My excitement soon changed when my creature came into life. My lovely, little brother William was murdered by my creation, the monster. Elizabeth cried a lot and I was not able to convince her. She also told me that my five- year-old brother, William and she went for a walk. She also told me that she saw William disappear. She was searching for him all over. I examined what had happened and found out that it was the monster, who was responsible for the murder of my brother. I was very angry with the behaviour of my creation. I created him to help human life and not to destroy them. He came to my room. I was very angry at him and wanted to destroy him. He told me to control my temper and he asked me to listen to him. He told me that the only person to be kind to him was Agathe, a young blind lady. The other villagers chased him away through their dogs. He also told me that his intention towards William was not to kill him. Then he explained to me about what had happened. He told me, â€Å"I put my hands to his mouth to silence him, because I was afraid.†Ã‚  The monster asked William to play with him for a while. But William shouted and refused to play with him. So, he just kept his hands in William’s mouth to silence him and request him to play with him. He also convinced me by telling the truth, but I am very sad that my brother is being murdered by my creation.  I was asked by the monster to make a bride to the monster. I agreed to him because as a creator, I should have to fulfill the wishes of my creation. He said to me that,  Ã¢â‚¬Å"I am alone and miserable; man will not associate with me; but one as deformed and horrible as myself would not deny herself to me. My companion must be of the same species and have the same defects. This being you must create.† He conveyed me his feelings of how it was to be alone without a companion or a comrade. He also gave me two years time to make a complete creation. He also told me that he would not trouble me in the time in between. I repulsed myself to make a bride for the monster. I wanted to finish the bride before marrying Elizabeth. I was also worried that the monster may harm my family. I still found it difficult to make the second monster. I made it because he told me that he wanted to love. I also made it, but this creation was spoilt by the monster, himself. The thing where he went wrong was, giving wrong wire connections to the creation and made it destroy. I explained to him that,  Ã¢â‚¬Å"She’ll never live now! Monster, what have you done?†Ã‚  He thought that he knew to make his own creation. He acted over- smart by giving the wrong wire connections and destroying his bride by himself. I beautifully laid out the bride in white colour clothes, to symbolize that she was going to get married. There is no use for him to commit the murders of Elizabeth and Clerval, by knowing that was his fault. I was really angry when he killed my brother, William. Then, he explained to me about what had happened. He told me that,  Ã¢â‚¬Å"I put my hands to his mouth to silence him, because I was afraid.†Ã‚  It was my fault to create him and abandon him. Since I have created him I lost my Elizabeth, Clerval and my dear brother William. I got the feelings of how it was to face death. If I think of him, my first thoughts were, why did I create him? I found it like a battle of â€Å"Evil vs. Good†.

U.S. Monetary Policy and What the Federal Reserve :: essays research papers

U.S. Monetary Policy and What the Federal Reserve does. According to the Congressional Budget Office monetary policy is, â€Å"The strategy of influencing movements of the money supply and interest rates to affect output and inflation. An "easy" monetary policy suggests faster growth of the money supply and initially lower short-term interest rates in an attempt to increase aggregate demand, but it may lead to a higher rate of inflation. A "tight" monetary policy suggests slower growth of the money supply and higher interest rates in the near term in an attempt to reduce inflationary pressure by lowering aggregate demand.† In the United States it is the Federal Reserve System that is responsible for defining and implementing these policies. In the United States the Federal Reserve is made up of a Board of Governors, which consists of seven members, all of whom are appointed by the president and confirmed by the Senate. Of these seven, the president appoints one to be chairman of the Board of Governors. The curre nt chairman of the United States Federal Reserve is Alan Greenspan. With the appointment of Alan Greenspan to chairman, monetary policy in the United States changed from a monetarism view, an approach based on a constant growth in the money supply, to a mixed policy. With a mixed policy, inflation is monitored and controled via the iterest rate that banks charge, along with an understanding of unemployment and business cycles. Only a few days ago chairman Greenspan adressed congress and stated that the â€Å"central bank would keep raising interest rates and gave little hint of when it might stop.† This increase of the interest rate would tend to slow inflation as well as possably decrease labor costs and increase productivity. The Federal reserve â€Å"views labor costs as the most important source of inflation, both because labor costs amount to more than two-thirds of total costs and because they can feed a self-perpetuating spiral of higher prices and higher wage demands.† So wat is the reason for the chairman of the Board of Governors to address congress? If the public is informed of the Federal reserves stance and commitment to lower or keep inflation in check we should see lower wages and in turn lower prices.

Emphasise the tragedy in Death of a Salesman Essay

A symbol is defined as ‘an object or action that represents an idea, function or process,’ essentially anything which ‘stands for’ something else. When viewed in relation to the Aristotelian model of tragedy in Poetics, Miller’s rich use of symbolism in Death of a Salesman contradicts a key premise within Aristotle’s tragedian theory, labelling the tragic hero’s hamartia as the cause for their downfall. Miller uses symbols to explore the motifs of success, freedom and failure, as well as to help shape our view of his characters. Throughout the play Miller emphasises the strength of these symbols through the way they affect the Loman family and in particular Willy, whose obsession with the American Dream – and all that it encompasses – brings him to his tragic end. We may consider Willy to posses the tragic flaw of hubris, which will only assist the interplay of the material and figurative symbols Miller creates to entrap Willy within his beliefs, leaving him unable to escape. Inherent throughout the play is Miller’s heavy use of symbols to convey meanings such as hope, struggle and self-worth. Significantly, symbolism assists the tragic imagery as a crucial element of Miller’s stagecraft. Miller elaborately constructs the perfect conditions for Willy’s downfall in several key ways including his use of music, the motif of dreams and symbolic props. His first method is the recurring element of music applied through his stage directions. The melancholy ‘melody heard, played upon the flute’ starting from Act 1 resonates with the atmosphere and is Miller’s structuralism technique of oscillating to and from Willy’s reflection of the past. The natural element of this symbol alludes to his father’s influence as a flute-maker, and its use during Willy’s introspection could suggest an alternate, more successful life pursuing in craftsmanship instead of being a salesman under the impression of becoming ‘well-liked. ’ It acts as the transition between imagination and reality, setting the scene as we witness the bold symbol of Willy’s unfortunate circumstance. Furthermore, the flute symbolises Willy’s faint connection with the natural world, clearly illustrated by the stage directions as he enters Scene 1: ‘The flute plays on. He hears but is not aware of it’ By not being ‘aware,’ one may consider this ‘melody’ to be a calling which Willy attempts to mentally suppress. Additionally, Miller introduces his tragic hero with an afflicted perception the moment he is presented to the audience. Structurally, Miller develops this further as Willy gives us an account of his journey home, stating ‘I almost forgot I was driving. ’ This disregard for his surroundings and safety illustrates just how easily his physical and mental stability can be compromised. Alternatively, one may associate Willy’s captivation by the ‘thick’ trees and ‘warm’ sun with the almost hallucinogenic connotations of nature, or what he may be describing as ‘such strange thoughts’, with the road possibly symbolise Willy’s suspension between responsibilities and his sense of nirvana, a road he confronts ‘every week of my life. ’ The use of nature is significant to the settings created by Miller. As the curtain rises and reveals the Loman house, he ensures that ‘We are aware of towering, angular shapes behind it, surrounding it on all sides. ’ The way they enclose the setting directs our attention to the ‘fragile-seeming’ house and emphasises Willy as the ‘Low-man’ intended by his name. One may interpret this as a pathetic fallacy, alluding to their sense of isolation and vulnerability, the former of which being a traditional trait of the tragic hero. However, the way Miller isolates the entire Loman family reflects the way the American dream was an influence to many people’s lives and is not merely a unique flaw in Willy. The setting created by Miller corresponds with Aristotle’s unity of place, stating that ‘a play should cover a single physical space and should not attempt to compress geography. ’ This appropriately fits within the Aristotelian model as it focuses less on the power of external conflicts, but rather the intrinsic and non-progressive world view Willy is unable to escape from. This peripheral is sharply contrasted by Miller’s references to the ‘jungle’ through Ben, who despite being dead before the play begins, remains a big influence to Willy and his search for capitalism. The jungle’s symbolic connotations of ‘wild freedom’ and ‘liberty’ epitomises all that opposes the American dream. One could also argue that they represent the opportunities Willy rejected due to his hubris, his uncompromising faith in the American dream. Rollyson explores this idea and states ‘Willy is only as solid as the society in which he tries to sell himself,’ and everything from his view of America as ‘the greatest country in the world’ to his idolisation of ‘David Singleman’ suggests that the American dream is something he is deeply ‘sold’ into. Through Miller’s use of a non-linear narrative, the audience gains a greater understanding of the way symbols are established and the development of the setting in which they manifest. Willy’s recollection of the past makes us aware that the apartment buildings replaced their natural surroundings, most notably the ‘two beautiful elm trees,’ the presences of which echo through the repeated appearance of leaves around their home. The construction of the apartment buildings has rendered their neighbourhood lifeless, and Willy’s statement ‘The grass don’t grow any more’ may reflect on the state of poverty throughout the United States, induced by the Wall Street crash. He adds that ‘they massacred the neighbourhood,’ with the lexical choice ‘massacred’ highlighting the ruthlessness of the industrialisation which compromised their way of life. The ambiguity of ‘they’ may echo Willy’s lack of perception over who is truly responsible for the desolate state of their economy, represented by both Willy’s failure as a salesman and their home environment, isolated, unable to flourish. At this point, the audience should understand the power of these symbols, which are shown to have direct influence over Willy’s life by compromising his mental stability. Willy’s ‘two large sample cases’ symbolise his wasted efforts attempting to fulfil the role of a successful provider. Their physical weight acts as a pathetic fallacy to represent Willy’s emotional heaviness and an appeal to the audience’s sympathy. Linda’s first words express her anxiety of him potentially smashing the car, symbolising mobility. The irony is that no matter how far he drives to work, he doesn’t seem to get anywhere or achieve anything beyond his mundane routine. Miller immediately contrasts this real symbol in their present timeframe with a mentally-constructed symbol from Willy’s past, exposed to us through Willy’s inner thoughts: ‘That funny? I coulda sworn I was driving that Chevvy today. ’ This juxtaposition of past and present tenses helps create the feeling of disorientation which we would expect Willy to experience. The Chevrolet symbolises status and success, even described by Willy as ‘the greatest car ever built’ only for him to later contradict himself by asserting that ‘they ought to prohibit the manufacture of that car! ’ We may identify Willy’s tragic flaw as his willingness to base his very existence on material goods. Miller’s extensive use of such symbols reflects the obsessive nature of Willy and this effective literary technique acts as a vehicle to draw our attention to the flawed society of 20th-century America, totally preoccupied with the relentless pursuit of the tragic American dream. It is at the end of Act 2 when we discover that the car, a symbol of progression and modernity, becomes no more than an instrument for Willy’s suicidal downfall. Throughout Willy’s internal conflict, Linda remains a symbol of emotional security, whose unconditional love sees past his lack of success. Her pivotal speech ‘Willy Loman never made a lot of money†¦ So attention must be paid! ’ mirrors the Chorus of Greek tragedy, acting as an interlude during which the audience reflects on the progression of the play. Linguistically, her repetitive use of negatives ‘not’ and ’never’ emphasise his lack of achievement and simplicity as a character. She is heavily conscious of the tragic fate Willy is heading toward, and her devotion to him is shown as she mends her stockings. Structurally, this is placed immediately after Willy’s scene with The Women whom is treated with new stockings. Miller juxtaposes Willy’s infidelity with the shame he feels being unable to provide successfully – shown as he acts ‘angrily’ at the sight of them. The motifs of hope and dreams symbolise the search for the unobtainable, a fundamental flaw in Willy’s characterisation. With the working title The Inside of His Head, Miller originally intended to make the setting itself a physics manifestation of Willy’s internal mental state, with the stage layout resembling the shape of a head. One could argue that Miller’s use of ‘imaginary walls-lines’ – which characters walk through instead of the doors as to indicate a recollection of Willy’s past – would show a comprised mental structure within Willy’s psyche. Although these externalities largely influence Willy’s behaviour, we must also consider him as symbolic, as he represents the struggling everyman whose belief in the flawed American dream is slowly killing him. Miller’s use of symbols within Death of a Salesman allows us to witness exactly how Willy, a tragic character bounded by ‘his temper, massive dreams and little cruelties,’ becomes progressively more influenced by both his thoughts and surrounding environment. By stimulating our senses and heightening dramatic tension, it is a quintessential device used to enhance the audience’s understanding and sense of sympathy toward this tragic character so mentally distorted by this ideal, without which there would be no tragedy to interpret. As a play famously described as ‘a time bomb expertly placed under the edifice of Americanism,’ Miller makes a great effort to illustrate his beliefs of the American Dream as a corrupt ethos by showing its tragic effect on the common American man.

The Character of Mrs. Sommers in Chopin’s A Pair of Silk...

The Character of Mrs. Sommers in Chopin’s A Pair of Silk Stockings The attempt to escaping reality proves to be a timeless act in A Pair of Silk Stockings by Kate Chopin. The wishful Mrs. Sommers surprisingly finds herself with a sum of money unusually large for her circumstances and in her relishing and spending it reveals herself to be truly a woman of good intentions but who is weak for the intensity of the moment. Chopin has developed a character in Mrs. Sommers who plays out the fantasy of all people, rich or poor: to be someone they are not and for a day live someone elses life. Mrs. Sommers demonstrates characteristics of a prized knight such as chivalry and frugality yet confirms her mere humanity by†¦show more content†¦As her life was, she had no free time to spend with them because the needs of the present absorbed her very faculty(194). She even forgets to eat because of her preoccupation with taking care of her children! So, in her mind, the act of purchasing nice clothes for her children benefited her almost more than them. Mr s. Sommers indeed is a chivalrous woman toward her household. In todays society the quality of being frugal may be looked upon not as an asset but as a drawback to a persons personality, but Mrs. Sommers shows frugality to be a beaming attribute. Her way of being conservative in her spending not only tells that she has a well developed sense of economy but also that she understands her circumstance is not one which she can freely purchase as she pleases. In relishing the thought of spending such a sum of money, as she has now been given the opportunity, Mrs. Sommers does not rush out to splurge her new found wealth as so many people have been known to do. Instead she attempts to spread it out making it work in the most sufficient way possible. Her thriftiness reveals that she looks to the future and is not just caught up in her present situation. She is a levelheaded woman with responsibilities and concerns. Even when she meets her first possible purchase at the silk stocking counter she thinks over the bargain she will receive and makes her decision very carefully. Although her spending isShow MoreRelatedDesirees Baby Literary Analysis1989 Words   |  8 PagesKate Chopin’s stories Desirees Baby, The Story of an Hour, At the Cadian Ball, and A Pair of Silk Stockings, were written in the 19th century in times when women had no rights, and had to portray an image of a loving wife. They were considered selfish if they thought otherwise, and their job was to make their husbands happy at all times. This was the century of a turning point for women, in which they had desires test their limits imposed on their sex. Critics of her stories list the analysisRead MoreAnalysis Of Cather s A Pair Of Silk Stockings 1489 Words   |  6 Pagesearlier society put on women’s shoulders. 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Not manyRead MoreAn Examination Of How Kate Chopin s Work1298 Words   |  6 Pages920022413 Due Date: April 20, 2015 An Examination of How Kate Chopin’s Works Taken Together Contribute to our Understanding of Her Time and the Place of Women in Society Looking at themes present in his short stories and novels, Kate Chopin presents examples of female strength and an assertive rebellion to the social norms during the late 1800s. By seeking to transparently and boldly portray the risquà © behavior of her lead characters, which are with few exceptions also strong women as well, sheRead MoreWomen s Search For Selfhood2169 Words   |  9 PagesWomen’s search for selfhood, for self-discovery or identity are themes that are represented in Kate Chopin’s work. Chopin was on the same regular path as other women in her era. She got married at the age of twenty and had six children. 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